Join us for this episode of Reality Coaching for Writers where we answer the question: Are paid book promotion sites worth the money?
Book promotion services can be a great way to get your book in front of new readers, but before you invest heavily in these sites and services it helps to gain some perspective and set realistic expectations.
Where Do Devotional Writers Get Their Ideas? That is our discussion today on Reality Coaching for Writers today when Diana interviews well published and award winning author, Cindy K. Sproles! Stay tuned for a fun and informative conversation!
Cindy K. Sproles is an author and speaker. Raised and living in the mountains of East Tennessee, she spins tales of life in the deep crevices of the Appalachian mountains. Cindy is proud of her mountain heritage and her desire is to see this culture live on in history. Where do devotional writers get their ideas? Cindy answers, “God and . . . ” Watch and listen to the rest of her answer.
https://writerscoach.us — Does every good story need a villain or antagonist? In this episode of Reality Coaching for Writers with Eddie and Diana discuss why we need villains and what characteristics a good villain must have. It is the struggle against the forces of unfairness and injustice that helps a hero/ protagonist grow and change.
Does EVERY Story need a Villain?
There are four ways to introduce a villain’s POV:
Predisposition
Past
Personal demons
Present environment
Predisposition
Predisposition is the auto-mechanism that guides your character at the start of her journey. Her habits, manner of dress, quirks, and social interaction shape her in a way that is uniquely suited for her role in your story. Study her. Watch the way her hands swing when she walks, the shift in her eyes when confronted by her boss, and the way she twirls her hair whenever he walks in the room. Identify these traits and show them to the reader.
Temperament is a person’s manner of behaving, thinking, and reacting to others and circumstances. Temperament reveals itself best during stressful events, so after you define your character’s basic temperament, then turn up the heat and burn away the dross, the impurities. Allow the reader to watch her change during the story.
Past Pointers
How was your character raised? What events shaped her? Dig into her past and reveal in small bites. Each element should reinforce why she acts, thinks, and feels the way she does. Often one defining moment in her past is enough. Be selective, show her wounds, allow readers to touch her scar. Then ask:
With what has she struggled? A physical affliction? Emotional wound?
What has she discovered about herself?
How has she changed over the years?
Personal Demons
Internal conflict is the energy of your character. Imagine an angel on one shoulder and a devil on the other, each whispering into your Lead’s ear. Allow the reader to see this internal struggle as your Lead weighs the consequences of her actions. It is here in the moral struggle between good and evil that your character will grow or shrink. Every character must go through an internal transformation. External struggles are problems that need to be solved.
Internal struggles are questions that need to be answered. As your character solves the external problem, she gains insight into how to answer the inner questions. To create a story with depth, get to know what she wants. Then reveal her motives by showing how she:
Interacts with other characters
Responds to events in the story
Pursues her objective
Present Environment
It’s not the “what” that’s important but the “why.” Reveal her internal motivation for the way she dresses, talks, and acts. Your job is to help the reader grasp the desires, motives, beliefs, attitudes, dreams, and frustrations of your characters. Subtlety is key. Err on the side of understatement. The more you tell readers how to feel, the less they will. Show emotion through action, dialogue, and body language. The more personal the struggle and impending danger, the more suspenseful the story.
Building Your Satan
Does every story need a villain? Yes and for your bad girl to be likable, she should have at least one of these qualities and the more she exhibits it, the greater the tension between your protagonist and antagonist. We want to pull for the bad girl because often we see our faults in others. We just don’t want them to win.
Eddie Jones and Diana Flegal offer personalized coaching for writers. For more information, check out https://writerscoach.us
#writercommunity #writer #RealityCoachingforWriters #characterdevelopment
When it comes to character development . . . it begins with heart.
CHARACTERS MUST…
• Reveal heart
• Face obstacles
• Pick paths
• Make a discovery
• Reveal a secret
Goals for Your Lead
• What does she want?
• What is she willing to do to reach her goal?
• What WILL she do to reach that goal?
• What is she willing to sacrifice?
• What happens if the she fails?
• Is your Lead larger than life?
Repurposing content from a successful blog or sermon can be a great source of material for a book. Writing from scratch can take time, but when you re-use published content you start with a pre-existing audience, an established focus for your book, and hopefully, a built-in marketing machine. In this episode of Reality Coaching for Writers we’ll look at how to start with God has placed in your hand.
Eddie Jones and Diana Flegal offer personalized coaching for writers. Find out more at https://writerscoach.us/
Your purpose behind the prose says much about where you’ll end up on your writing journey and how you define success.
“The scripture reference I gave during yesterday’s video topic, ‘Why do we write?’ is from Matthew 13 in the passion translation.” – Diana
“The disciples came up and asked (Jesus), “Why do you tell stories?” He replied, “You’ve been given insight into God’s kingdom. You know how it works. Not everybody has this gift, this insight; it hasn’t been given to them. Whenever someone has a ready heart for this, the insights and understandings flow freely. But if there is no readiness, any trace of receptivity soon disappears. That’s why I tell stories: to create a readiness, to nudge the people toward receptive insight. In their present state, they can stare till doomsday and not see it, listen till they are blue in the face and not get it. ”
Eddie Jones and Diana Flegal offer personalized coaching for writers. Find out more at https://writerscoach.us/